Brooks Koepka: My Advice to Make Your Second Shots Matter

Written by: Brooks Koepka

feel like my accuracy stats with irons are a bit misleading. I play fairly aggressively week to week and fire at a lot of pins. So I might miss more greens than other pros, but I’m still only a few yards from the hole when I do. That being said, when I really need to hit a green in regulation, I’m confident in my swing. In winning my second consecutive U.S. Open, at Shinnecock Hills in June, only three other players hit more greens in regulation than I did—and trust me when I say that hitting greens there was like trying to stop a marble on a kitchen countertop. Here I’m going to share some of my tips on hitting better second-shot irons, a part of the game where I see a lot of golfers struggle. Let’s start with alignment. Lately my coach, Claude Harmon III, has me checking to make sure I’m not setting up open like you see here, with my feet aligned left of my target. On the Monday of U.S. Open week, he was all over me saying, “Aim more right; aim more right.” I told him I couldn’t aim any more right. Then he put a club on the ground to check my alignment.

Wouldn’t you know it? I was still aiming left. The lesson is to make sure you’re set up to hit the shot you want. Here are some more of my tips. – With Ron Kaspriske


DIP YOUR LEAD SHOULDER
You drove the ball into the fairway and have a real chance of a green in reg. Now what? Assuming your alignment is good, focus on making a better backswing. A lot of golfers take the club back with almost no upper-body rotation—they’re all arms. And even when they do rotate back, it’s usually on a flat shoulder plane. If your shoulders turn back fairly level with the ground, it’s hard to swing down from inside the target line and hit an accurate shot. You’ll probably slice or pull it and miss the green. Instead, turn so your left shoulder moves back and down. See how mine is pointing at the ball (below). Look at all that space I’ve created to swing down from inside the target line. Essentially, it allows you to swing on plane and hit it straighter.


GOVERN YOUR DOWNSWING
A question I get asked a lot in pro-ams is how I’m able to swing the club as hard as I do. Honestly, I’m not swinging that hard. I’m using about 75 percent of my maximum effort. If I swung any harder, I’d probably spin right out of my golf posture and miss the green big time. I bet when you swing your hardest, your accuracy goes out the window. That’s why I recommend you take one more club than you would from a particular distance—say, a 6-iron instead of a 7-iron from 150 yards—and make a swing at 75-percent effort. You’ll know you’re doing it right if it feels like the club is trailing your body’s rotation toward the target like it is here (below). What you’ll find is, this syncs your swing and improves your chance of hitting it solidly.


GET THE DISTANCE YOU EXPECT
It’s great if you’re able to hit your shots fairly straight, but when it comes to second-shot accuracy, that’s only half the equation. Putting the ball on the green is a blend of hitting shots in the right direction and the correct distance. The direction part comes from controlling the clubface’s position at impact in relation to the path. The distance part comes from hitting down on the ball and compressing it, getting that great sound and feel off the face. To flush iron shots, work on improving what your dominant hand does as the club moves through impact. Here I’m showing that the right palm should never turn skyward (below). This allows you to strike the ball and keep the clubhead moving downward into the turf. Consistently do that, and the ball will fly a predictable distance.


FINISH IT OFF
I typically opt for a fade when I’m hitting into greens. It’s just an easier shot to control. That’s why Claude keeps an eye on my alignment to make sure I don’t aim too far left and overcook my iron shots. I’m telling you this because it relates to the photo you see here of my finish position (below). Notice where my chest is pointing in relation to where I’m looking. It rotated well past the green and is facing almost 90 degrees left of it. The point is, I kept my body moving as long as I could, which is a key to accuracy when controlling a shot’s curve. If I stop turning my body sooner and the club keeps going, I probably would hook the shot. And if I stop turning my body and club too soon and at the same time, my fade will turn into a nasty slice. That’s a move I see a lot from amateurs. In the hopes of hitting it somewhere toward the green, they don’t let the clubhead close, and they stop the swing cold when their arms and club are facing the target. We call that steering, and it rarely works.

My advice: Keep the body moving to match the swinging of your arms and club. Whether you hit a draw or fade—or a straight ball if you’re one of the lucky ones—keep everything moving until all the momentum is gone and the club’s shaft finishes wrapped around your body, as you see here. If you swung at 75 percent of your max speed like I recommended, it’s easy to get into this trophy pose. Or should I say, your club-championship trophy pose?

Source: GolfDigest.com

Stickney: Plane shifts used by the pros

Written by: Tom Stickney II

One of the most perplexing aspects of golf for the average player is how the club should transition. In fact, the “over the top” motion is what keeps all of the teaching professionals in business! On Tour, you see many different ways to move the club on the way down and Homer Kelley, in his book, The Golfing Machine, identified seven different ways to transition the club. In this article, we’ll only discuss a few of them.

The first two shifts we’ll examine are the extremes of up and around.

Up and Under

This swing model is made famous by Jim Furyk and obviously there are many levels of up and under but the basic idea is to lift the club to the top which gives you more room to “drop it under” on the way down. Some people love this feeling and it is quite simple when practiced a time or two.

One of the most perplexing aspects of golf for the average player is how the club should transition. In fact, the “over the top” motion is what keeps all of the teaching professionals in business! On Tour, you see many different ways to move the club on the way down and Homer Kelley, in his book, The Golfing Machine, identified seven different ways to transition the club. In this article, we’ll only discuss a few of them.

The first two shifts we’ll examine are the extremes of up and around.

Up and Under

This swing model is made famous by Jim Furyk and obviously there are many levels of up and under but the basic idea is to lift the club to the top which gives you more room to “drop it under” on the way down. Some people love this feeling and it is quite simple when practiced a time or two.

You will notice a takeaway that is slightly lifted and outside moving the arms into a more upright position at the top. From there the arms fall down and behind the player allowing the club to be delivered from the inside.

Around and Under

The opposite player of the Up and Under player takes the club more around the body into a short, flat, and tight position like Matt Kucher. It is here that some players feel that it is much simpler to come from the inside when the club is in a lower and more rounded position at the top.

This swing model is exemplified with a takeaway that works around the body off the start and continues all the way to the top placing the club in a “flatter” condition. From there the club basically returns from the inside as a slight shift is made to the inside. Some players feel this is the easiest way to move the club to the inside.

Now that we have covered the two extreme positions of Up and Around, the rest of the world is somewhere in the middle of these two positions. Personally, it does not matter where you play from as long as the club moves into a solid position on the way down.

Let’s discuss the middle positions and how to transition the club from there…

Reverse Shift

The Reverse Shift is shown best by Nick Faldo back in his hey-day. The club is taken to the top and the entire triangle formed by the arms is shifted rearward to begin the downswing thus moving the club into an inside delivery position.

When the entire triangle falls rearward it allows the club to flatten and the club to move from the inside. Transitional tempo is the key to this move because it won’t work if you get too fast.

Flatten the Shaft

Most of the players today on Tour are subscribing to this type of plane shift as the club shaft flattens out behind the player allowing the hands to move down the correct path. If the hands get too far behind the player then the path can easily shift too rightward in the above swing pattern but not with this swing model.

Here you can see that the club shaft flattened and the clubhead fell behind my hands lowering the center of mass and this places the club in an inside delivery position with the hands in the correct position at belt-high. This is a great way to transition the club for people who tend to get “stuck” on the way down.

So now that we’ve seen the most common plane shift models that move the club back to the inside which one is the best or the easiest? Basically, the one that makes the most sense to you as a player. One of these styles will feel “easier” than the other ones and allow you to shift your swing path more rightward during impact so you can move the ball right to left easier (for the right-handed player).

Enjoy trying these shifts and remember that all four can work for you at any given time!

Source: GolfWRX.com

Steal a tour-proven technique for better chip shots

By Austin Cook

On the way to my most successful season in professional golf, including a win at the PGA Tour’s RSM Classic, I avoided bogey 62 percent of the time when I missed a green in regulation. Without those saves, the 2017-’18 season might have been my first and last on tour. So if I can give you one piece of advice about your game, it’s to start looking at your wedges as the tools for survival—and success. First, learn everything you can about the ones you use (loft, bounce, grind, etc.) and if they’re right for your game (go see a clubfitter). Once you’re happy with your clubs, use them—and use them a lot. If you don’t practice, you’ll never understand how each wedge and swing technique affects ball flight and spin. And if you don’t have an understanding of those two things, you’re not going to get up and down very often. Here I’ll explain how I decide what club and shot to play and teach you my favorite drill for chipping it to tap-in range. Hopefully you’ll follow my lead and become more confident with your wedges. —with Keely Levins

HIT THE TOWEL FOR MORE CONTROL

We did this drill in college, and I still use it. Grab a towel, get it wet to keep it from blowing away, and lay it on a green between you and the hole. Now chip balls from off the green on that line trying to land them on the towel. Experiment with different wedges, and hit from different spots paying attention to how the ball reacts to each shot.

You’ll soon discover how to produce the trajectory and rollout you want. When you play, imagine the towel is still on the green, and hit the shot best for that situation.

“Whenever you can, go with a lower chip than runs out.”

GO WITH THE PERCENTAGES

This is a really tricky lie—downhill in light rough with a bunker between me and the hole. I can hit a variety of shots from here, but there’s always one that stands out a little more than the others. The smart play is the shot that will leave you with a decent chance to save par (or carding no worse than a bogey) even when you don’t quite execute it.

Here I can either land it in the fringe and let it roll out to the hole or fly it most of the way and let it land soft by the hole. Generally speaking, the easier of the two shots is usually taking a lower-lofted wedge and hitting the runner. But sometimes the lie, or the location of the pin, dictates that flying it with a higher-lofted club is smarter. For example, if I were hitting into the grain of the grass between me and the hole, getting the ball to release when it lands might be tough. In that case, I’d want to fly it high and let it trickle out.

LET IT GLIDE TO STOP IT QUICKLY

As I said, you need to get to know your wedges, including the bounce for each club. Without getting too technical, it’s how much bulge is on the back side of the club, the spot I’m pointing to here. This design feature helps you slide the club under the ball and pop it up, which is why I want to use a high-loft, high-bounce club for chips that need to be in the air longer than they roll.

I get in a narrow stance with my feet open. Then I open the face a little before taking my grip. This exposes more of the bounce, making it easier to slide the club along the ground. If you swing with a shallow, sweeping motion along the turf, the ball should pop right up.

FIND YOUR COMFORT ZONE

Some things about chipping technique are fairly standard. For example, the farther forward you play the ball in your stance, the higher it will tend to fly. So keep that in mind if you like to play the ball back in your stance and hit down on it. It’s probably not going to get too far off the ground. But there are other things about chipping you can personalize.

Two of my preferences are to leave my glove on and to make a swing on a path that’s a little in to out in relation to the target. My path helps shallow the club and keeps me from chunking it. The glove? Not sure why I leave it on, it just feels comfortable. The point is, I own it. If you do what makes you comfortable, you’ll be more confident on the course.

Source: GolfDigest.com

Kiradech Aphibarnrat’s unique chipping method isn’t for the timid. Here’s how to do it

By Matthew Rudy

It usually doesn’t take more than a hole or two during a pro-am for one of my amateur partners to ask me about the way I chip. You don’t see it very much on the PGA Tour. I play the ball back in my stance, hinge my wrists up quickly, and hit down on it with an open clubface. This creates a low trajectory and a lot of spin, so the ball quickly checks up. It’s a shot I learned growing up in Thailand to deal with the grainy grass around the greens there. I learned it from Thai pros Prayad Marksaeng and Thammanoon Sriroj, and I’m here to teach it to you. But with one warning: It’s hard to master. Ready to try it?

1 BALL BACK, HANDS AHEAD

This position doesn’t look so strange compared to a traditional chip. I play the ball off the center of my back foot with my hands ahead, and I open the clubface. Since the ball position will produce a very low shot, the open face on my wedge (a 56- or 60-degree depending on the situation) creates some height and spin to keep the ball from running out too much. My weight is forward, but my shoulders are tilted so that my right one is lower. I aim slightly left of my target because the shot produces spin that causes the ball to hop to the right a little when it lands.

“Remember: you need to aim a little left of your target because the cut spin will make the ball hop to the right.”

2 LIFT THE CLUB UP

This is where you start to see how this chip is different—and why it’s so popular in Southeast Asia to get out of heavy, grainy rough. I make a little shoulder turn in the backswing, but mostly lift the club straight up with my wrists. You’re trying to create a very steep angle of attack so the club can come down on the ball without getting caught up in the grass. The steepness also helps keep the club from passing under a ball sitting up in the rough. It will probably scare you at first to try this wrist set because it feels different. But keep at it. You need the reps. I’ve hit thousands of them.

3 LEAVE THE FACE OPEN

The most important thing at impact is to keep the clubface open. It gives you the loft to get the ball up and out of rough, or the spin to stop the ball on the green from a tight lie. (You can use it on tightly mowed grass, too.) The key from any lie is to hit the ball as cleanly as possible. If you keep the face open, the club should skid along the turf after contacting the ball. You don’t want it to dig. I think you’ll find it’s a useful way to chip if you struggle with poor contact. Try it out, and tell me on Instagram (@kiradech_arm) if it worked for you. No charge for the lesson.

Source: GolfDigest.com

Seven Things You Need to Know About Golf Balls Before You Play

Written by: James Roland

All golf balls look pretty much alike. But what’s inside the ball can affect the height and distance of shots and even how the ball will spin when it lands. So before you tee it up, find out more about the ball and how it can affect your game.

What will it cost

Golf balls vary greatly in quality and price, so before deciding on a particular make and model, know how much you can afford to spend and how quickly you go through a dozen golf balls. If you’re still learning or you lose a ball every couple of holes, you’ll want to stay away from the top-of-the-line balls, and, perhaps, consider used (or reclaimed) balls, which generally are cheaper than new balls.

Is it a distance ball?

A two-piece golf ball — a ball with a solid inner core and a hard cover — is designed to produce maximum distance. Typically, the hard cover is made of Surlyn. This type of ball is especially helpful for beginners or short hitters who need extra length on their shots. Because beginners tend to cut balls with poor shots or knock balls into trees and cart paths, the hard covers help those two-piece balls last longer.

Is it a performance ball

A high-performance ball is the most expensive ball on the market. It is made of multi-layer construction (three or four pieces) and uses a softer cover material, which allows for greater control, particularly around the green, and spin. Because of the softer cover materials, these types of balls are also the least durable. As a result, these balls are better fits for more experienced or expert players.

What’s the compression

Golf ball compression, which refers to the hardness and tightness of the core, is measured in numbers. The lowest compression commonly available is usually 80 (although lower compression balls are available). This compression level offers more distance but less control. A 100-compression (and higher) ball gives experienced golfers greater control. Inexperienced golfers and those who do not have a fast, solid swing, are unlikely to get any benefits from a higher compression ball. Most average golfers use a ball with a compression of 90.

What’s the spin

A softer cover, especially one made of balata or urethane, can give the ball extra spin, especially on shots for which you want a ball that will stop and back up on the green rather than roll forward off the green. Look for multi-layer construction with a softer cover if you’re looking for more spin on your shots.

What’s the ball’s condition

Before you tee up the first ball you find in your bag, take a moment to see if it has been scuffed or cut. The slightest deviation can adversely affect how the ball flies and how it lands. If it’s a casual round with a buddy and you don’t want to risk an expensive ball around a lake or stream, maybe the two of you can agree to try a sacrificial ball on those shots.

It’s worth experimenting

The more you play a particular type of ball, the better you’ll know whether it’s the right one for your game. If you try a different type every time out, you’ll never know what ball will help you reach your potential, so give each ball type at least a few rounds to see if you two are a good match.

Source: GolfWeek.com

Celebrate Independence Day with us at Denison!

Visit us on the 4th of July and wear your REDWHITE and BLUE!
You’ll receive a FREE bucket of range balls when you do🇺🇸

We’ll also be serving $2 hot dogs ALL DAY

*Must be in your 4th of July attire to receive giveaway*

COMING SOON…

Be on the lookout  for our Independence Day Sale! You’ll be able to shop starting Thursday, July 4th.

Tips About Golf Balls

Written by: Bill Herrfeldt

When a golfer decides to buy a new set of clubs, he must make a number of choices. He must also deal with a variety of golf balls that have different characteristics so he can match his style of play with the correct one. There are balls that are made to give the golfer added distance while others will allow him to create more backspin. He must choose a ball that is right for him based on what he considers important.

Surface

All golf balls have dimples and they will affect the length of time a golfer can keep the ball in the air. Some balls give the golfer added distance more than others. So each golf ball manufacturer is trying to design a product that can lay claim to being the longest ball as a major competitive advantage. But that added distance comes with a lessening of accuracy. Proven false is the theory that how dimples are arrayed on a ball will affect the amount of backspin the golfer can impart on the ball.

Outside And In

In the past, the type of golf ball available was limited. There was the wooden ball that soon gave way to the “feathery,” a ball made of feathers encased in leather. In the 19th century, the game was revolutionized by the Gutta Percha ball, whose only drawback was that it tended to explode in flight. Now there are three types of balls. There are those that are made with only two elements, a center and a cover, and are appropriate if a golfer is looking to add distance to his shots. There are balls that have a center core that is wound with something like a tight rubber band, then are covered. Those balls allow the golfer to give it additional backspin and generally lets him feel the shot more. And there are balls that are made in a number of layers that will allow the golfer to hit it a bit farther, and allow him to feel the shot more and increase slightly the spin rate.

Compression

A lot was said in the past about how a ball’s compression affects its distance. It was felt a ball rated 100 compression would travel farther in the air than a ball rated 80 compression. But through sophisticated scientific analysis, that theory was proven false. You can hit the ball just as far regardless of its compression. But compression will affect how the ball feels is it comes off the club head, particularly if you are playing in cooler weather or you have a lower-than-average swing speed.

 

Source:GolfWeek.com

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Don’t fear the downhill, left-to-right putts

By: Matt Killen

You took care of what you thought was the hard part. You split the fairway with your best drive of the day and managed to hit the green in regulation—with a 4-iron no less! Your reward? Your ball is now above the hole, and there appears to be a pronounced left-to-right break for the ensuing putt. For many golfers, this turns a birdie opportunity into a tap-and-hope scenario. They either get scared and try to cozy the ball to the cup—but wind up short and now face another tricky downhiller—or they put too much pace on it but fail to play enough break. The ball races by the cup on the low side and sets up a likely three-putt.

If this sounds all-too familiar, let’s try something different. First, ask yourself at what speed do you see the ball going in. If you’re seeing it pouring into the back of the cup, you might want to think again—you’re making your target smaller. Test this out: On a practice green, find a downhill, left-to-right lie and practice hitting three putts at three speeds—the first so the ball dies at the cup; the second with enough speed to get it about a foot past the cup if you miss; and the third so it would roll two or three feet past. You’ll start to see how adding more speed to the putt changes the break and makes it much harder to avoid a lip-out, even when you get the read right.

Now comes the part where I give you one thought when you have this putt: maximum break, minimum speed. That’s how to handle these suckers. Oh, and one more thing: Stop paying attention to the cup. Instead, focus on that spot where you think the ball will begin to turn toward the cup—the aim point. It’s always great when one of these sliders drop, but they usually won’t if you peek too soon.

MATT KILLEN is a Golf Digest Best Young Teacher. He works with tour pros Justin Thomas, J.B. Holmes and Jessica Korda.

— with Ron Kaspriske

 

Source: GolfDigest.com

How to hit Jordan Spieth’s favorite chip shot

By Jordan Spieth and with Max Adler

I’ve heard it said that a chip shot is a miniature version of a full swing. I couldn’t disagree more. Some of the same fundamentals apply, sure, but chipping has way more going on. I have one basic full swing that gets me around the golf course, and I make only minor adjustments to hit draws and fades, low shots and high. On the other hand, I have at least 10 chipping motions—and I’m constantly learning and exploring new ones. I believe there’s no such thing as a standard chip, and that you should always be brave and try to execute the shot that the situation and lie demand. What shot offers the best chance of getting close to the hole? You have to channel your creativity and feel to find the answer, which is fun.

One of my favorite chip shots is what I call the “nip-spinner.” It comes out hot and low, takes one big hop, then quickly settles. I love hitting it in front of crowds. Everyone thinks you’ve skulled it across the green, but you just smile and wait for the sizzle. I’ll use it when I’m just off the collar without much room between myself and the flag, and the slope is such that I won’t be able to control the distance as well with a putter.

I’m going to show you the technique to hit this specialty chip—as well as how to sink the putt. Even if it’s just the other guys in your group watching, I guarantee you’ll get some applause.

COMMIT TO SPEED

I learned how to hit the nip-spinner when I was 13 or 14. Before then, I didn’t have the strength and swing speed to pull it off. I use a lob wedge, and to the untrained eye the motion looks similar to a flop shot. It’s a long backswing relative to how short the shot travels, and the downswing path is heavy out-to-in, cutting across the ball. The difference between it and a flop is impact. With a flop, the club comes in shallow and slides under the ball. With the nip-spinner, the club comes in steep to meet the ball first, then the turf. There’s a lot of interaction between the club and the turf, so you’ll make a divot—or at least scuff the grass pretty good. My main swing thought is, hold my left wrist flat through the shot so the clubhead never passes the hands. It’s a low, cut motion at the bottom of the swing. Instead of the ball sliding up the clubface, the grooves grip the cover of the ball to create a lower trajectory and a ton of spin.

MAINTAIN BELIEF

When you first practice this shot, be prepared that you’ll probably blade a lot of them. Don’t worry. Stick with it, and you’ll figure out the feeling of suppleness in the wrists that lets you pinch the ball off the turf. Keep asking yourself: How fast can I swing while making the ball travel the shortest distance possible? When I’m in a tournament and the opportunity comes to hit this shot, my typical mistake is not committing to the necessary speed. I’ll decelerate, and the ball will pop up high, right and short of where I intended. Depending on the slope of the green, the ball still might finish a reasonable distance from the hole, so it’s not a horrible miss. Still, if you want to get it close, you’ve got to keep the speed up through impact.

BURY THE PUTT

Photo by Walter Iooss Jr.Strike a Pose | When you’re rolling it great, have someone photograph you putting and use it for reference.

Hopefully you’ve chipped to within gimme distance. But the nip-spinner is often needed for tough situations, so even leaving a six- or seven-foot putt might be a good outcome. Regardless of the length, I’m going to let you in on a recent revelation I’ve had with my putting: I need to get lazy. By that, I mean I want everything about my stance and stroke to feel super-relaxed, almost sleepy. When my putting is off, there’s usually tension somewhere in my body. I think everybody is the same when they start missing putts—they start making tiny adjustments as they search for something that works. Before you know it, you’re standing uncomfortably. Get lazy is a great thought to get back to making a good stroke. When I was struggling with my putting for a period, my coach, Cameron McCormick, did an amazing amount of work studying video of me from 2015 and 2016. We discovered that I had developed this unnatural C-shape look to my back and that my arm plane was disconnected from the shaft plane. Though these problems were unique to me and my cross-handed putting style, the universal lesson is that whenever you have a great putting day, ask someone to snap a photo of you at setup. If/when things go awry, you’ll have a useful image to work back to. It’s about the easiest way for golfers to make use of their phones, and it’s visual proof that you’re capable of burying a putt and saving par.

 

Source: GolfDigest.com